News

Volume 46 Issue 4 | Computer Music Journal | MIT Press

Prestidigitation for percussion and 3D electronics features on the cover of the latest issue of the Computer Music Journal as well the Sound Anthology and in two articles I am co-authored: “Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics” and “Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning.”

Computer Music Journal | 46 | 4 | December 2022

Source: Volume 46 Issue 4 | Computer Music Journal | MIT Press

Ning Yu performs Cosmologies at National Sawdust

Ning Yu, piano

According to theories of cosmic inflation, a fraction of a second after it began, the universe was the size of a grand piano. It has continued expanding ever since to form all observable matter, us included. What sounds inhabit this piano-world? In Aaron Einbond’s “Cosmologies” the pianist gradually creates her own reality, a sonic microcosm with found materials of contrasting textures and densities.

Aaron Einbond’s Cosmologies places the listener at the center of a larger-than-life grand piano. The work is featured alongside work by a group of composers—all based throughout the US and Europe—centered around the relationship between the grand piano and spatial audio. Developed over several years, Piano Realities is a spellbinding program of works for piano and electronics, created and produced in collaboration between soloist Ning Yu and Qubit. As one of the foremost pianists of her generation, Yu is a champion of adventurous contemporary works, particularly those that incorporate aspects of sonic technology. As such, this concert has been specifically designed to realize the full potential of National Sawdust’s Constellation audio system, a multichannel environment with dozens of speakers.

Source: Upcoming – Qubit

Review of Prestidigitation II in ResMusica

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Côté création, Prestidigitation II du New-Yorkais , est un agrandissement pour ensemble de Prestidigitation (2022) élaborée avec autour de la percussion. L’écriture articule des figures/morphologies sonores qui laissent apprécier le travail de projection et spatialisation sonore via les ressorts de l’intelligence artificielle et la présence d’un haut-parleur au large rayonnement placé au-dessus de nos têtes.

Paris. Festival Présences. 5 et 6-II-2024 5-II Avant-première : Ircam, Espace de projection.

Source: Steve Reich, invité d’honneur au festival Présences de Radio France – ResMusicaResMusica

Concert #0 | L’Instant donné | Reich, Smith & Einbond : épisode du podcast Festival Présences 2024 – Steve Reich

Today at 8 pm Central European Time tune in to the radio broadcast of Prestidigitation II for L’Instant Donné and 3D electronics from last week’s concert in Radio France Festival Présences at IRCAM alongside works by Gabriella Smith and Steve Reich performed by Jonny Greenwood. The binaural recording gives a close-up perspective of the magical performances by percussion soloist Maxime Echardour and the spatialized ensemble: high-definition headphones recommended!

AUDIO : Concert #0 | L’Instant donné | Reich, Smith & Einbond. Festival Présences 2024 – Steve Reich est une série inédite proposée par France Musique. Écoutez gratuitement en ligne ce podcast et parcourez tout notre catalogue.

Source: Concert #0 | L’Instant donné | Reich, Smith & Einbond : épisode du podcast Festival Présences 2024 – Steve Reich

Boring Like A Drill. » Just There: Aaron Einbond, Luis Fernando Amaya

Presque rien could be the watchword for Aaron Einbond’s compositional method. Each of the four pieces on his All That Dust album Cosmologies lurk in the background almost imperceptibly.

Thanks to Ben Harper for the perceptive review of Cosmologies on all that dust and to Séverine Ballon, Alvise Sinivia, and the Riot Ensemble conducted by Aaron Holloway Nahum for their

essay of supreme restraint, producing the smallest possible swatches of attenuated sounds in their most muted colours.

Source: Boring Like A Drill. » Just There: Aaron Einbond, Luis Fernando Amaya

Releases

Released today! So grateful to my collaborators Séverine Ballon, Alvise Sinvia, Riot Ensemble, Aaron Holloway-Nahum, and the all that dust team and elated to share their sensitive performances and production of my album Cosmologies, in brilliant company with the other releases of batch 5. Please head to https://allthatdust.com/releases and https://allthatdust.bandcamp.com to listen and to https://iklectikartlab.com/all-that-dust-launch-event to join us for the release party June 14th.

all that dust is an independent record label producing a small number of high-quality contemporary music recordings each year. It is run by Newton Armstrong, Juliet Fraser and Mark Knoop.

Source: Releases

Releases

Proud to be part of this formidable batch of new releases from the formidable label allthatdust with the artistic dream team of Séverine Ballon, Alvise Sinivia, Riot Ensemble, and Aaron Holloway-Nahum. So grateful for their exquisitely detailed and vibrant interpretations, recorded and produced with supersonic sensitivity by Mark Knoop, Newton Armstrong, and Juliet Fraser, and incisively annotated by Laura Tunbridge. Celebrate with us at I K L E C T I K June 14th! https://iklectikartlab.com/all-that-dust-launch-event/

Source: Releases