About
Rutherford-Johnson, T. “Transkribierte Realitäten. Der Komponist Aaron Einbond.” Neue Zeitschrift für Musik, #03/2019, 24-27, 2019. [English version]
Rutherford-Johnson, T. “The World In Pieces: Aaron Einbond.” Tempo, 73(290), 7-12, 2019. [pdf]
Rachel Cuniffe. “A composer focusing on sounds around us.” The Cusp, 2017.
Nicolas Donin. “Sonic Imprints: Instrumental Resynthesis In Contemporary Composition.” In Gianmario Borio, ed. Musical Listening in the Age of Technological Reproduction. Abingdon, UK: Ashgate, 2015.
By
Aaron Einbond, Thibaut Carpentier, Diemo Schwarz, and Jean Bresson. “Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3D Electronics.” Computer Music Journal 46(4), 2023.
Artemi-Maria Gioti, Aaron Einbond, and Georgina Born. “Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning.” Computer Music Journal 46(4), 2023.
Thibaut Carpentier and Aaron Einbond. “Spherical correlation as a similarity measure for 3-D radiation patterns of musical instruments”. Acta Acustica 7, 40, 2023.
Thibaut Carpentier and Aaron Einbond. “Spherical correlation as a similarity measure for 3-D radiation patterns of musical instruments”. 16ème Congrès Français d’Acoustique, Marseille, 2022.
Aaron Einbond, Jean Bresson, Diemo Schwarz, and Thibaut Carpentier. “Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D Electronics.” Proceedings of the International Computer Music Conference (ICMC), Santiago, 2021.
“Disembodiment: Reproduction, Transcription, and Trace.” Tempo 73(287): pp. 83-90, 2019.
“Mapping the Klangdom Live: Cartographies for piano with two performers and electronics.” Computer Music Journal 41:1, 2017.
“Musique Instrumentale Concrète: timbral transcription in What the Blind See and Without Words.” Open Music Composer’s Book Vol. 3. Paris: Editions Delatour / IRCAM, 2016.
Aaron Einbond, Diemo Schwarz, Riccardo Borghesi, and Norbert Schnell. “Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm.” Proceedings of the International Computer Music Conference (ICMC), Utrecht, 2016.
Aaron Cassidy and Aaron Einbond, eds. Noise In And As Music. Huddersfield: University of Huddersfield Press, 2013. Contributions: “Subtractive Synthesis: noise and digital (un)creativity” and “Qubit Noise Non-ference: a conversation” [with Bryan Jacobs and Alec Hall].
Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, and Diemo Schwarz. “Fine-tuned Control of Concatenative Synthesis with CataRT Using the bach Library for Max.” Proceedings of the International Computer Music Conference (ICMC), Athens, 2014.
Aaron Einbond, Christopher Trapani and Diemo Schwarz. “Precise Pitch Control in Real Time Corpus-Based Concatenative Synthesis.” Proceedings of the International Computer Music Conference, Ljubljana, 2012.
Aaron Einbond and Diemo Schwarz. “Spatializing Timbre with Corpus-Based Transcription.” Proceedings of the International Computer Music Conference, New York, 2010.
Aaron Einbond, Diemo Schwarz and Jean Bresson. “Corpus-Based Transcription as an Approach to the Compositional Control of Timbre.” Proceedings of the International Computer Music Conference, Montréal, 2009.
John MacCallum and Aaron Einbond. “Real-Time Analysis of Sensory Dissonance.” Computer Music Modeling and Retrieval. Sense of Sounds, Heidelberg: Springer Verlag, 2008. [pdf] [abstract]
John MacCallum, Jeremy Hunt, and Aaron Einbond. “Timbre as a Psychoacoustic Parameter for Harmonic Analysis.” Society for Music Theory, Los Angeles, 2006; Proceedings of the International Computer Music Conference, Barcelona, 2005.
“12-note Roots: The Fifth and Sixth Movements of The Death of Moses.”In Alison Latham, ed. Sing Ariel: Essays and Thoughts for Alexander Goehr’s 70th Birthday. Aldershot, UK: Ashgate Publishing Limited, 2003. [review]
Aaron Einbond 